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CLIENT VERTICAL — FOR ILLUMINA

02:48

HERO FILM · 8K R3D · 2.39:1

PLAY

00:00:00:00

CLIENT

ILLUMINA

ROLE

DIRECTION + CINEMATOGRAPHY

FORMAT

8K R3D · 2.39:1

LOCATION

VIENNA + SAN DIEGO

YEAR

2026

A genomics company asked for a film about machines. We shot the people who read light for a living instead.

02 — THE CASE

05

SHOOT DAYS — TWO UNITS

8K

V-RAPTOR XE · 2.39:1

02:48

FINAL RUNTIME — HERO CUT

AUFTRAG — THE BRIEF

Launch film for a sequencing platform — the kind of machine that usually gets lit like a refrigerator and scored like a car ad. Illumina wanted something their scientists would not be embarrassed by, shot in the actual labs, with the actual people, on a schedule that respected running experiments.

UMSETZUNG — THE APPROACH

We treated the lab like a landscape: long lenses, available light augmented rather than replaced, machines heard before they are seen. Three movements — sample, signal, answer — cut to the rhythm of the instruments themselves. Graded warm against the cliché of teal science.

Two units, five days, no second takes of anything alive.

PRODUCTION STILLS

ROLL 23

GAFFER’S VIEW — LAB 4

FR 0231

V-RAPTOR ON THE SLIDER

FR 0225

THE 300MM SHOT

FR 0207

SAMPLE HANDLING — MACRO

FR 0195

03 — CREDITS

DIRECTION + DP

KEVIN PHAM

PRODUCTION

MOREA GMBH · KEVIN PHAM LLC (US UNIT)

EDIT + GRADE

MOREA, VIENNA

SOUND

TBD

CLIENT

ILLUMINA

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002 / 023

MIU MIU

CAMPAIGN — 35MM · PARIS · 2024

VIENNA, AUSTRIA / WORKING WORLDWIDE

DATENSCHUTZ

IMPRESSUM